9/10/2023 0 Comments Eventide blackhole pedal vs space![]() ![]() If you're running a line level effects loop, a hot guitar amp modeling rig, or a desktop synth studio, that's going to be a major selling point after trying out a few pedal verbs that clip way too easily. Space is also one of the few options out there that actually takes professional line levels properly. There's a very decent variety in algorithms (not a dozen variations on the same theme like with some pedal verbs) and everything sounds good in an Eventide sort of way. You won't get a decent spring or a very natural sounding hall here, but what you do get is fantastic sounding verbs from small "synthetic" rooms and halls to (by now overused) pitch-shifting shimmer verbs, and the huge, venerable Blackhole that still lives up to its name. Power supply via power supply unit (included) 30 30-Day Money-Back Guarantee. ![]() Eventide Space is easy and straightforward to use for something as deep as it is, and leans very much toward "unnatural" sounding spaces. 12 Eventide Reverb Combo Signature algorithms. I do have several favourites depending on situation and use myself. ![]() There is a crazy amount of choice in good pedal reverbs these days, and everyone has their favourite (or favourites) regarding the algorithms, features, interface and what not. Available for iOS as a AuV3 plug-in and standalone app.Bought one from Thomann, used for a few years, sold it to try other things, recently bought another one used, feel like a happy camper again.Full support for the Native Instruments NKS Effects system.Innovative Ribbon and Hot Switch allow for changing any combination of parameters simultaneously.Bring new realms of stereo imaging to mono instruments. Fully flexible mono and stereo options.Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant.This makes for some incredible effects when automated. Kill Switch mutes the input so you only hear the reverb.Unique “Gravity” control reverses the arrow of time by inverting the reverb’s decay.Subtle settings for ambient washes and track highlighting.Supernatural settings for abstract spatial effects and drones.Ability to create extremely musical effects useful for highlighting key instruments.Incredibly easy to use with over 50 presets, many created by Eventide artists.With each new version, the reverb has been refined and enhanced. This famed, massive reverberator first saw the light of day as an algorithm in our rackmount DSP4000. For decades, studio engineers considered Blackhole their “secret weapon.” It’s become the go-to ambient effect for guitar and keyboard layers. With the Blackhole plug-in, any instrument in your DAW can warp acoustic space and time. We’ve now perfected the galactic sounds of the Blackhole reverb in native plug-in form. These presets cover spaces as small as a room and as large as space itself. Included with Blackhole is a carefully curated set of 50 presets that serve as a launchpad for your explorations. In short, Blackhole is destined to be one of those tools that you turn to time and again when reality just isn’t enough.īlackhole was designed to give you extensive control, allowing you to craft your own signature sounds. Whether you’re at the event horizon or closer to home, Blackhole will inspire and amaze while its intuitive controls will allow you to add that special something to your tracks without a degree in rocket science. While it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section. At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings, and pads. Our Blackhole ® reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (or at least the one we inhabit). ![]() Most reverbs are earth-bound and constrained by the physics of the real world. ![]()
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